Guitar Pro Tabs

The art of Kirk Hammett

by Kirk Hammett

Guitar Pro Tab  |  v4.06  |  Posted on March 29, 2007, 11 a.m. ← Back

Guitar Pro Tab Summary

Album

unknown

Song Author

Metallica

Tabbed by

Grucha

Instruments

1st → Kirk Hammett

File Size

17 KB

Views

1,855

Notice

Ju� na pierwszej p�ycie - "Kill'em All" - Hammett daje niez�ego kopa w postaci totalnie odjechanych sol�wek. Na tej p�ycie powsta�y te� prawie wszystkie zagrywki, kruczki i sztuczki. Ju� w "Hit The Lights", w najd�u�szej partii solowej Metallicy, Kirk serwuje ca�� gam� zagrywek, pocz�wszy od tej: (patrz Lick 1) zawartej w pierwszej sol�wce z tego utworu. Dalej, po drugiej zwrotce, mamy kolejny ziez�y pattern: (patrz Lick 2). Ta zagrywka to ju� ca�a historia - w ka�dej partii solowej z "Kill'em All" oraz kilu innych utworach w kolejnych p�yt s�ycha� dzwi�ki u�o�one w ten schemat. Nie �wiadczy to o braku pomys��w - przecie� sol�wki Hammetta nie brzmi� identycznie. Z inn� aran�acj�, podk�adami itp. brzmi to zupe�nie inaczej. T� zagrywk� mo�na zagra� nieco inaczej, a w klasycznej postaci wygl�da tak: (patrz Lick 3). Ten motyw mo�na bez przeszk�d zagra� w nieco innej formie (co jako urozmaicenie s�ycha� na KEA). Takim urozmaiceniem mo�e by� zagranie dziw�ku na X progu srtuny H zamiast IX na G. Genialnie wprost zagra� w "The Four Horsemen" (pierwsze solo - moim zdanie jedno z najlepszych). Piosenka zwalnia do po�owy, Kirk na genialnie zagranym podk�adzie przez Jamesa ci�gnie niby wolne, ale w rzeczywisto�ci g�sto zagrane solo, nie m�wi�c ju� o drugiej cz�ci, gdzie do�o�ona jest druga gitara. Ostatnie solo z tego kawa�ka to te� niez�y popis- szczeg�lnie ostatnie cztery takty. W "Motorbreath" za pierwszym razem Krk rozp�dza si� przez dodanie Wah-Wah w pierwszym takcie. Potem znowu cz�sto u�ywany pattern - pull-off z dodanym dziw�kiem na nizszej strunie. Ten uk�ad przechodzi p�niej w nieco inn� kombinacj�: (patrz Lick 4). Jest to dosy� trudne do zagrania, ale po d�u�szym �wiczeniu na pewno wyjdzie, bo jak kto� kiedy� powiedzia� wszystko jest dla ludzi. Trzeba podci�gn�c o jeden ton i bardzo szybko zmienic strun�. Ciekawym elementem s� te� dwa �rodkowe takty z "No Remorse": (patrz Lick 5). W "Seek&Destroy" jest kolejny kruczek: (patrz Lick 6). Jest to jedna z najlepszych sol�wek w jego wykonaniu. Ale najciekawszym utworem jest "Phantom Lord", gdzie opr�cz wy�ej przedstawionych zagrywek, jest te� tapping. To bardzo prosty uk�ad zagrany triolami: (patrz Lick 7). Druga p�yta to ju� bardziej dojrza�a muzyka, bo nie da sie ukry� �e sl�wki z KEA s� bardzo proste w budowie, tylko zagrane w osza�amiaj�cym tempie sprawiaj� niesamowite wra�enie. Ale tak sie wtedy gra�o: wielokrotnie powtarzane motywy stanowi�y ca�o�� sloa. Partie gitarowe s� bardziej rozbudowane ni� te z poprzedniej p�yty - jest wiele wstawek granych na dw�ch gitarach. W "Creeping Death" (moim zdaniem najlepsze solo Hammetta) sol�wka rozpoczyna si� niez�ym zjazdem na strunie E1 (jeszcze lepszy jest w S&D), kt�ry Kirk cz�sto wykorzystuje w swoich popisach: (patrz Lick 8). Poza tym jest tu tez rewelacyjny, zagrany triolami �semkowymi, motyw: (patrz Lick 9). Godny uwagi jest te� fragment nast�pny, poprzedzony taktem ��cz�cym te dwa motywy zagrany sweepem (te� �semkowe triole): (patrz Lick 10). Nale�y tu p�ynnie przesun�� r�k� od struny G do E1 graj�� r�wno dzwi�ki na poszczeg�lnych strunach. Ciekawy, ale troch� trudniejszy motyw grany technik� sweep wyst�puje w "The Call Of Ktulu": (patrz Lick 11). Dalej "Fade To Black". Chodzi o niemal ko�cowy fragment ostatniej sol�wki (tu� przed ostrym podci�ganiem na 22 progu). Jest to osiem takt�w zawieraj�ce dwie bardzo ciekawe, melodyjne zagrywki: (patrz Lick 12). Kolejna p�yta - "Master Of Puppets" - to nowa porcja ciekawych zagra�. Tutaj mamy do czynienia z metalem na najwy�szym �wiatowym poziomie. To ju� nie te sol�wki, kt�re mo�na us�ysze� na KEA czy RTL - finezyjne, g�sto zagrane motywy, cz�sto stosowana wajcha (tremolo bar). Ju� na pocz�tku w "Battery" pomo�dzy I i II zwrotk� jest �wietny szybki ��cznik: (patrz Lick 13). Nie spos�b omin�� tutaj ustworu tytu�owego (hymnu wszystkich Metallifan�w). Pocz�tek drugiego sola nie powtarza si� cz�sto, ale jest te� wy�mienitym k�skiem do opanowania (a zagrany dobrze robi niesamowite wra�enie muzyczne i wizualne): (patzr Lick 14). W "Disposable Heroes" sol�wa ko�czy si� efektownym podej�ciem staccato do XXII progu (grane troilami): (patrz Lick 15). Po raz trzeci mamy do czynienia ze sweepingiem w "Lepper Messiah" (rzadko grany live, ale mimo wszystko zajebisty): (patrz Lick 16). Trudny (cz�sta zmiana pozycji), ale efektowny pattern. Dalej "Damage Inc.", a konkretnie XVI i XVII takt sol�wki, gdzie wyst�puje ciekawy podjazd w g�r� gryfu na strunie H. W nieco innej formie mo�na zauwa�y� tak� kombinacj� w "Whiplash" i "Battery": (patrz Lick 17). Trudno�� mo�e polega� na wypuszczaniu struny do zerowego progu - im wy�ej tym wi�ksze prowdopodobie�sto, �e odezwie si� niechciana struna. "...And Justice For All" - to jazda bez trzymanki - najwi�kszy popis techniczny (grupa posz�a na maxa), piosenki--giganty trwaj�ce po 7, 8 minut. Na tej p�ycie ka�dy pokaza� to co potrafi najlepiej (Larz rozbudowane �omoty na b�bnach, Jaymz znakomite podk�ady, Krk mistrzowsko zagrane sol�wki, a Jasun... no c�... basu prawie wog�le nie s�ycha�). Ciekawie rozpoczyna si� solo do pierwszego utworu. Pi�ty takt to �wietne podej�cie po wielu dziw�kach, ale chyba proste do zagrania, bo nie trzeba cz�sto zmienia� struny, co chwila jako odpoczynek pojawia si� sekwencja HP: (patrz Lick 18). Na nast�pnej p�ycie - "Metallica" - s�ycha� ju� bardziej ukierunkowany zesp� (minimum formy - maksimum tre�ci). R�wnie� Krk odstawi� kawa� niez�ej roboty, ale ju� nie tak efekciarskiej jak poprzednio. Nie mniej mo�na znale�� kilka ciekawych, charakterystycznych motyw�w. W kawa�ku "The God That Failed" na koniec s�yszymy to, co przewija�o si� praktycznie przez wszystnie p�yty Metallicy. Jest to chyba najs�ynniejsza zagrywka Kirka i dlatego zostawi�em j� na koniec. Pi�� ostatnich takt�w sol�wki przedstaia si� tak: (patrz Lick 19). Powy�szy materia� pochodzi ze strony www.metallica.zone.pl (lub nowy adres www.overkill.pl) Autorem powy�szego materia�u jest Marcin "jUnKiE" Koc�j marcink@verizon.net

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Tablature Sheet

Title: The art of Kirk Hammett
Artist: Kirk Hammett
Album: 
Author: Metallica




Track 1: Kirk Hammett ← Back to top
E|----17----------------------17-------20-17-------|-------------20-17-------------------------------|
B|-------20-17----17-20-17-------20-17-------20-17-|----17-20-17-------20-17-16-17-20-17-------------|
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E|-------------------------------------20---|-20-17-17-17-20-17------------------------|
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G|-19----------19----------19---------------|-------------------------19----------19---|
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E|--------|-20-17----17-20-17-------------------------------|--------------------------------------|
B|--------|-------20----------20-17-17-17-20-17-19----------|--------------------------------------|
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E|-22-15-12-22-15-12-22-15-12-22-15-12-20-15-12-20-15-12-20-15-12-20-15-12-|--------|
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E|--------|---------12--17-17-12-12---------------12--17-17-12-12-------|---------12--17-17-12-12-------------------12-12-17--12------|
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E|--------|---------10--17--13--------------10--17--13------|---------10--17--13--------------10--17--13------|
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E|--------|--------------------|-15-12----12-15-12-14-12----12-15-12-14-12----12-|
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E|-17-14----14-17-14----14-17-14----14-17-14----14-|-19-15----15-19-15-17-15----15-19-15-17-15----15-|
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E|-14-12----12-17-12-15-12-14-12----12-17-12-15-12-|-14-12------------------------------|
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E|-17--12--------------12--17--12--------------12--|-17--12---------12-12-15-12----|
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E|-22--19--------------19--22--19--------------19--|-19--15--------------15--19--15--------------15--|
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E|--------|-----------------------------------------------|-------------------------------------------------|
B|--------|-10-7--0---11-8--0--0--12-9--0--0--13-10-0--0--|-14-11-0--0--15-12-0--0--16-13-0--0--17-14-0--0--|
G|--------|-----------------------------------------------|-------------------------------------------------|
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E|--------|-------------------------------------------------7--9--|-7--9--7-----7--9--10-12-12109--7-----7--9--10-12-9--|
B|--------|----------------------7--8--7--8--7-----7--8--11-------|----------11-----------------------11----------------|
G|--------|-6--7--6-----6--7--9-----------------9-----------------|-----------------------------------------------------|
D|--------|----------9--------------------------------------------|-----------------------------------------------------|
A|--------|-------------------------------------------------------|-----------------------------------------------------|
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E|--------|------22---22--22--22---19-22-|-192219---19-----19----19----19----19----19----19-|
B|--------|------------------------------|-------22----22-----22----22----22----22----22----|
G|--------|------------------------------|--------------------------------------------------|
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E|--------|------------------------------|--------------------------------------------------|


E|-2219--1922192219--1922192219--192219--1922192219-19---------|------------------------------------------------|
B|-----22----------22----------22------22-------------22-22-19-|-22--2219---------------------------------------|
G|-------------------------------------------------------------|---------21-19----19-21-21--21--21--21--21--21--|
D|-------------------------------------------------------------|---------------21-------------------------------|
A|-------------------------------------------------------------|------------------------------------------------|
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E|---------------------------------|
B|---------------------------------|
G|-21--21--21--21---21-19----------|
D|------------------------21----21-|
A|---------------------------------|
E|---------------------------------|
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